Pick up a copy of the latest WIRE Magazine (January 2017) if you’d like to read an article I wrote – entitled We Are The Music Makers – about “inventor musicians”.
Pick up a copy of the latest WIRE Magazine (January 2017) if you’d like to read an article I wrote – entitled We Are The Music Makers – about “inventor musicians”.
Following on from this blog post, here are some reflections on my time running the fundraising campaign Dance How You Like.
Firstly, this is how the campaign turned out financially. Not bad but was it really worth all that effort to raise £438.83 for charity? Personally I made a small financial loss, having spent around £170 on promotional t-shirts, web hosting, diesel etc. I also logged 146 hours worked on this project. That’s a lot of my time and in addition I found it rather stressful / all-consuming at times.
BUT I do consider that it was broadly a success. I had braced myself for greater losses and I am sure Citizens UK will be grateful for the donation; and will do good things with the money. Also, the message was well received and is one I am proud to espouse. And, it took me WAYYYY outside of my comfort zone. This is something I strive to do from time to time. It’s impossible to predict exactly what will come of this but that’s the point. I have made some great new connections as a result of this and have learnt a lot about persistence. The fact it wasn’t about my work as such made me feel liberated to promote it properly and contact people without a sense of impostor syndrome…or the worry that every non-response was a negative response. My aim is to take this forward into all areas I work in.
I also learnt a lot about charity fundraising and the associated pitfalls. That will help in taking Dance How You Like forward, which is the plan. So far it has neither failed or flourished. It needs more time and commitment from me to see whether it really has the legs as an idea to raise significant funds for Citizens UK. As mentioned in my previous blog posts I don’t intend to keep running it if it becomes a vanity project and I must admit there have been many times during this that I have doubted whether the world needs another campaign / slogan but I am then often immediately buoyed again by people’s response to the aims of the campaign and even just the slogan itself. I think it deserves at least another round or two to see what becomes of it…
I am lucky. By most standards very lucky. I am a full-time musician and artist and as such am living the dream. Yes, it’s often poorly paid and involves far more sales and admin type tasks than anyone likes to admit but I know I lead a charmed life. To some extent I do so because I am scratching an itch. I live through doing this stuff and I find not doing so for a prolonged period causes me to get like a stop-valve needs releasing.
For a long time now there has been certain background tension though, which stems from a sense that I am not giving enough back. Art is good. It enriches lives. It is often also radical and challenging. But with the broad political trajectory of the past few years and in particular very recent events that just didn’t seem like enough any more. So, for a while I have stopped making art to run this campaign: www.dancehowyoulike.co.uk
If I am honest, I didn’t plan to stop making art entirely while this 21 day campaign is running but it has proved far more all-consuming than I had envisaged. So far, it’s also failing pretty miserably. At the time of writing this the campaign has sold a total of 23 t-shirts. I paid £120 to have 20 t-shirts printed for the promotional activities, including the video below. At present, the charity donation will be around £100. MEH! Must try harder. It could only take one celebrity endorsement or some good press and away we go…but I have also decided that this first iteration of this project and that Dance How You Like will continue beyond this first 21 day campaign. I’ve learnt a lot, including that charity work is fraught with challenges and that you have to work your ass off because people just aren’t going to get to hear about it otherwise.
I will never run a vanity project, so I will quit this if/when the time is right to do so…or if I decide upon other ways to help make a difference. Dance How You Like exists to raise awareness of tolerance and integration issues in the UK – as well as money for Citizens UK. That’s it.
If any of this is making you think you could help an inexperienced soul in this world of fundraising, or maybe you just want to let people know about it, here is information on how you can support the project / get in touch: dancehowyoulike.co.uk/support.html
Oh and here’s that video I mentioned earlier…ENJOY!
I wrote this blog post in part to give myself permission to continue with the project and still avoid making any art for a bit. This may last the full 21 days of the initial campaign but I do have a couple of time-critical projects I will probably do some work on in that time. We’ll see. That itch is certainly getting itchier by the day!
I started a couple of Tumblr blogs:
What’s He Building In There? is a place to house updates on what I am up to that don’t really warrant a full blog post on here. Work in progress / experiments etc.
Sounds From Outside features weird and wonderful sounds and musical instruments. A means of driving and logging my research in this area.
I hope you might consider “following” them…
The final blog post detailing our work creating Amplification. Now on show in Millennium Point, Birmingham.
Week commencing 25th May
What a week! A bit of a blur really but we got there in the end. In fact, we had the van packed with Amplification by the end of play on Wednesday.
As ever though there was a lot of admin and surrounding stuff to sort out ahead of the installation on Saturday. OH and then within an hour of it being installed, somebody broke it…so we arrived at 7:30am on Monday to fix and reinforce it; so it opened at 9am as planned.
The early opening was because we got it installed early and thought we’d just go for it! It provided a useful phase of beta testing…
1st June May
All that remains is for people to enjoy it and for us to do the documentation and rounding off…yay! Oh and any further maintenance of course ;)
Have a look/listen at Millennium Point, as part of All Ears.
Here is the fourth and penultimate weekly blog post detailing our progress creating Amplification.
Week commencing 18th May
Our penultimate week certainly had its ups and downs. Luckily our work on Saturday ended on a positive note.
Now we are into the phase of final tweaks – which always take ages – and nice-to-haves before pack down; ahead of installation at Millennium Point on Saturday. It’s going to be a exhilarating and tiring week. Let’s hope everything goes to plan…and then let’s hope people enjoy using it.
Knackered and exhilarated; in equal measure.
To follow: Creating Amplification 5…the final week.
Here is the third weekly blog post detailing our progress creating Amplification.
Week commencing 11th May
As you can see from Phil’s face and thumbs, this week went pretty well. We got a serious amount of the production sorted, resolved a few issues and generally got a lot closer to finishing the thing. My role was sourcing the advice and parts we’d needed, consulting with Phil and holding/shifting stuff as required, trying to find someone to document it and making coffee; all of which I did! Phil just cracked on, as he does, with the making!
The main thing that remained outstanding at the end of the week was the lack of the main stage / plinth, which was a nightmare as that’s what it is all constructed around. I was chasing like mad but it still hadn’t arrived by the Friday. Somewhat stressful.
As with last week, we actually did a lot more than that…including head scratching, coffee drinking and other actual work but sometimes we were too busy doing it to write it down ;)
To follow: Creating Amplification 4…
Here is the second weekly blog post detailing our progress creating Amplification.
Week commencing 4th May
We made significant progress this week. Many things started to fall into place and many of those things you can only really assess once you put stuff together were tweaked accordingly. Gradually we are reaching the tipping point where it goes from rushing around trying to source stuff and work stuff out to just bolting it all together. That’s not to say that it will all work when we bolt it together and there is still a background chance of total failure but that’s always a feature of making ambitious new work. Sometimes making art is scary; not only in terms of getting it finished – for example, this week we drilled through a very expensive chair. EEK!
In addition to the development of the piece itself, we also had – at last – some positive discussions with someone who might video document it. Yay.
Each day we actually did a lot more than that, including head scratching, coffee drinking and other actual work but sometimes we are too busy doing it to write it down ;)
To follow: Creating Amplification 3…
This is the first in a four-part series of blog posts to document the final stages of work towards the installation of my / MortonUnderwood‘s most ambitious sound art installation to date. I must confess that for a while now I haven’t felt the urge to spend time writing about my work; as you can see from the date of my previous blog post on here. There are various general reasons for this, from not wanting to spend my time in front of a computer to wondering who would be interested in reading this stuff anyway.
Where this project is concerned though, there is one other thing that has held me back from documenting it: fear. Specifically, fear that it won’t be completed on time and what I will be documenting is in fact a terrible failure. Suddenly, last week – with four weeks to go until the installation – I had a change of heart regarding this. This stems from the fact that I think the chances of failure are now somewhat diminished, that I am bound to documenting it as a condition of the funding I received, and crucially, that I feel documenting even total failure might be of interest and help to others. So here we go…the first of four blog posts documenting the creation of Amplification.
(Unlike the remaining blog posts on this, as the first, this documents the process so far; rather than just the week prior.)
As an introduction to the project itself, let’s start with some blurb from the press release:
Amplification is a stereo acoustic amplification system, developed to encourage deep listening to environmental sounds within a space. Users of the system will augment their listening through two large ear trumpets. In addition, they will be able to adjust the stereo field of what they can hear by swiveling each horn; creating a distinctive and unusual listening experience.
During their time exploring the collection at the Birmingham Museums Trust, MortonUnderwood was struck by the efforts made by developers of the music boxes, gramophones and orchestrions in the collection to amplify the sound output. In a world where we can easily dial in more electronic amplification, many of the innovative approaches seen in the collection are now obsolete. Through Amplification MortonUnderwood hope to highlight the beauty of passive, acoustic amplification systems.
That’s the plan and I put this idea to the Arts Council, who duly supported the idea via their Grants For The Arts scheme.
I am so pleased to have received their support; and at the first time of asking as well.
I could finally make something where money didn’t pose so much of a constraint. Where cobbling together could be substituted with professional fabrication. Where taking a few images and posting them online could be substituted with full video documentation.
BUT, as I know from years of running my own businesses, with every opportunity comes risk. Any step-change presents many challenges as well as openings…and that has been the story of this project so far.
The first thing my colleague David Morton and I had to do was make it a solid idea that properly sparked our interest. We played with a few ideas and prototypes before deciding on the approach outlined above. I suspect most people have seen or even used mono acoustic listening devices before and with David’s experience of using a mid-side microphone array we were confident we could create some interesting effects by making a stereo listening device, with a matched, stereo pair; where the user could alter the stereo field. It sounded easy enough at the time!
At the same time as developing a prototype of this ourselves, I started to look for firms to fabricate it and contacted someone I had used before about documenting the project. I anticipated that finding a fabricator might be hard but sadly even the chap who we had hoped would document it was unavailable, due to personal reasons.
In the end I wrote/drew a full specification for the piece in order to take it out more widely to fabricators. I was soon reminded of the benefits of cobbling together. In the words of one fellow artist I contacted regarding this, “It’s usually communication issues with commercial outfits in my experience, different mind-sets etc”. And so it went on…until one day, with time rather tight, we found a fabricator. Sadly, it took us two further weeks to discover they weren’t the right people for the job either, at which point we took the bold / scary decision to try and find another fabricator with only five and a half weeks left…
The only reason I feel able to write this now is that our new, and final fabricator, Tuba Phil (pictured below) and I are making reasonable strides now and will have something to present at the end of this month. I kick myself that I didn’t think of Phil before. I play in Collective43 with him but for some reason I didn’t consider him for this job until pretty late in the day. So far it has been a great pleasure working with him and I can see much good coming out of this in future. For one thing he acts as a conduit between what’s in my mind and the means of making this a reality…but also, we have a mutual respect and understanding.
One further thing I realised through this is that giving up the production of one of our pieces is going to be harder than I anticipated. Event pieces like A Word In Your Ear – where the idea was predominantly David’s, the box was produced by our friend Neil and all I did was manage the process and install the electronics – I had to play some part, beyond just the conceptual side of things. Maybe this will always be the case but I hope I will one day accept that the art is in the idea and you can happily let others create the piece itself, as they are probably better at that bit…
Photo: Dave Grubb
To follow: Creating Amplification 2…
I have a few gigs and events coming up and as usual they are pretty varied. I can hold opposing views as to whether more focus or less focus is best. At the moment, I am just enjoying the stuff I have coming up – including:
This Friday, in Worcester I will create an hour-long drone in St Martin’s Quarter. This will be an improvised piece composed of electronic, acoustic and environmental sounds. As part of the Clik Clik Collective Victorian Fair programming.
On Saturday, I will be joining Collective43 and Clik Clik Collective in Worcester for a funeral march. Something along these lines:
I feel very lucky to have found the likes of Collective43 and Clik Clik so close to where I live. That’s not always the case when you live out in the farther flung parts of our fair land. We are on the same page and definitely hope to do more together!
On Sunday it’s the last of our If Wet events for 2014, in Callow End Village Hall. We have the wonderful Rosanne Robertson presenting her work and we will have a bit of a celebration of our second season too…before heading to the pub afterwards.
Here is a preview of the event.
I am playing at Vortex Jazz for the first time on Tuesday the 2nd of December. I’ll be playing tuba in a new trio formed of myself, Graham Dunning (turntables and effects) and Colin Webster (bari sax). We have an album out next year, called Bleed and have some further recording planned for next Monday evening. Here is a taster:
Lastly, I am looking forward to another Glatze gig this year at the Capsule Xmas Cocktail party on Saturday the 13th of December! I am delighted to be on such a great bill and I look forward to some fun-at-all-costs live music making!